Saturday, April 28, 2012

The central confusion, that both surrounds and underlies the experience of a rhythmic discontent, seems to me to be the impossibility of answering at the same time 'who am I?', and 'what is the meaning of being?'. The dispute Heidegger tried to raise with so much vehement futility against Descartes rings as firm and irrepressible as when I try to stop from hearing the sound of my own beating heart. The nonsense of trying to interpret Heidegger's project as set out in his impossible opening to 'Being and Time' arises from the inescapable suspicion that the two questions should for the purposes of a coherent understanding of deliberate action be only one. Yet one begs and contradicts the other; the assumption of one that truth is one grounded by definition is made ridiculous by the other's insistence that value is a fundamental phenomenon, unique to being and prior to the act of understanding.

When one lands on new ground and tried to build, and decides, this is what I am going to do, should that not be a declaration of both who one is and what one values? In fact it is a declaration of, I am the content and meaning of what I do. But that is no good. It makes the meaning of the fact of being contingent on who one chooses to be. Every so often I find myself claiming, I want to do this because, and after a long chain of becauses, I am mired in the confusion of what is true and what I mean. I cannot choose to be something without enforcing the incontestability of my wants, the unfalsifiability of my good. A display of devotion to one's own agency that is not a godsend, but god. I am the content and meaning of what I do because I HAVE meaning.

Yet one feels compelled to persist in acts of self-persuasion that puts one in sync with the laws of the known world, without which all one's efforts cannot speak to the actions of others.  We want to confront a world that can exist without us and we want to get in bed with our own kind, we want to sing in harmony, we want to bump into hard things and knock ourselves out cold.

Anthony Adams in Wes Anderson's Bottle Rocket describes Dignan: Say what you will about him, but he's no cynic and he's no quitter. Some days I  feel very strongly about wanting to be Dignan. The actual state of things should have nothing to do with what I want to do, facts of life considerations can go get stuffed. On other days everything I come into contact with flows right through me. The world runs on madly by. The only thing I can touch is time itself, and I ride with it.

Geese of Beverly Road

We'll take ourselves out in the street
And wear the blood in our cheeks
Like red roses
We'll go from car to sleeping car
And whisper in their sleeping ears
We were here, we were here
We'll set off the geese of Beverly Road

Hey, love, we'll get away with it
We'll run like we're awesome, totally genius
Hey, love, we'll get away with it
We'll run like we're awesome

We won't be disappointed
We'll fight like girls for our place at the table
Our room on the floor
We'll set off the geese of Beverly Road

Hey, love, we'll get away with it
We'll run like we're awesome, totally genius
Hey, love, we'll get away with it
We'll run like we're awesome

We're the heirs to the glimmering world

We're drunk and sparking, our legs are open
Our hands are covered in cake
But I swear we didn't have any
I swear we didn't have any

Hey, love, we'll get away with it
We'll run like we're awesome, totally genius
Hey, love, we'll get away with it
We'll run like we're awesome

We're the heirs to the glimmering world

Oh, come, come be my waitress and serve me tonight
Serve me the sky tonight
Oh, come, come be my waitress and serve me tonight
serve me the sky with a big slice of lemon

Sunday, April 22, 2012

無眠

明月幾時有 把酒問青天
不知天上宮闕 今夕是何年

我欲乘風歸去 唯恐瓊樓玉宇
高處不勝寒 起舞弄清影 何似在人間

轉朱閣低綺戶照無眠
不應有恨何事長向別時圓
人有悲歡離合 月有陰晴圓缺
此事古難全 但願人長久
千里共嬋娟

我欲乘風歸去 唯恐瓊樓玉宇
高處不勝寒 起舞弄清影
何似在人間

轉朱閣低綺戶照無眠
不應有恨何事長向別時圓
人有悲歡離合 月有陰晴圓缺
此事古難全 但願人長久
千里共嬋娟

Monday, April 16, 2012

Celestial Music - Louise Glück

I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to God.
She thinks someone listens in heaven.
On earth she’s unusually competent.
Brave too, able to face unpleasantness.

We found a caterpillar dying in the dirt, greedy ants crawling over it.
I’m always moved by disaster, always eager to oppose vitality
But timid also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
According to nature. For my sake she intervened
Brushing a few ants off the torn thing, and set it down
Across the road.

My friend says I shut my eyes to God, that nothing else explains
My aversion to reality. She says I’m like the child who
Buries her head in the pillow
So as not to see, the child who tells herself
That light causes sadness—
My friend is like the mother. Patient, urging me
To wake up an adult like herself, a courageous person—

In my dreams, my friend reproaches me. We’re walking
On the same road, except it’s winter now;
She’s telling me that when you love the world you hear celestial music:
Look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
Like brides leaping to a great height—
Then I’m afraid for her; I see her
Caught in a net deliberately cast over the earth—

In reality, we sit by the side of the road, watching the sun set;
From time to time, the silence pierced by a birdcall.
It’s this moment we’re trying to explain, the fact
That we’re at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn’t move.
She’s always trying to make something whole, something beautiful, an image
Capable of life apart from her.
We’re very quiet. It’s peaceful sitting here, not speaking, The composition
Fixed, the road turning suddenly dark, the air
Going cool, here and there the rocks shining and glittering—
It’s this stillness we both love.
The love of form is a love of endings.

Friday, April 13, 2012

Sunday, April 1, 2012

we thought our very hearts would up and melt away
from that snow in the nighttime
just going, and going